A lecture drawn from Cripm’s memoir in progress of New York City in the 1970s. This portion deals with the de-industrializing city as a space of experimentation for artists and gay men, with a particular focus on the abandoned Hudson river pier.
This talk is a part of the Interdisciplinary Seminar at the Cooper Union School of Art. The lectures and seminar are organized and led by Doug Ashford and Walid Raad.
This talk took place on September 18th, 2007.